Skip to main content

No results found

Hanborough Gate banner
What's On, Culture, Theatre, Comedy

“Never Looked Back”:

Nigel Havers

divider
Never Looked Back ART Header Image

When Serge spends an extortionate amount of money on an all-white modernist painting, his close friends Marc and Yvan are baffled. But do their violent reactions to this provocative canvas mirror more dangerous antagonisms towards each other? Yasmina Reza’s Art is one of the most successful comedies ever. Having opened in 1996, it took both the West End and Broadway by storm, and has been packing in audiences worldwide for more than 20 years. Having toured last year, Art is back for 2019 and coming to Oxford this month. Alongside Denis Lawson and Stephen Tompkinson, Nigel Havers takes to the stage in the role of Serge. Here, the charming star of stage and screen talks disciplined actors, Corrie, idling cars and the jungle with Sam Bennett.

I thought I’d launch straight in with Art if that’s alright?

Yes, absolutely.

I’ve never seen it.

You must come. It's sort of my favourite play, probably – it is my favourite play, I can't think of any other I prefer doing. It's beautifully”¯written, it all takes place in a very concise way, it starts at 7:30pm and you're in the pub before 9; it's funny, witty, there are three great parts for men – I know there's not a part for a woman, but it is written by a woman for men. It's quite brilliant and I think you'd love it.”¯

You've been in it before this current production.

I was in it very early on, 20 years ago. I did it on and off for a few years then, and it's a pleasure to come back to it, especially with Denis Lawson and Stephen Tompkinson – two friends of mine. It’s just a wonderful time to all be together doing a wonderful play, we've really enjoyed it, we'd like to do it on and off forever, to be honest.

How much has theatre changed in the past 20-30 years?

Theatre is always changing. The very strange thing is there's a sort of line you can draw about what's acceptable, what’s popular, and that line is always moving. But theatre is clever because for every new play that comes along, there's also a revival of an old play. It flip-flops between old and new, which is great, it keeps it alive.

What about the actors? They strike me as being better behaved now than, say, when you were that bit younger.

I think they probably are. We don't drink like we used to, a lot of [acting] was based on a tremendous amount of boozing; I arrived when it was on the cusp of people drinking less, but in the 50s and 60s actors were known to go onstage having had a few drinks, which is unheard of today – there's more discipline. But at the end of the day, actors in 2019 are doing pretty much the same thing as they did in 1612. We're still standing up there, in front of an audience, saying the words – the process itself stays the same.

Do you have any particular acting role that you hold dearest in your heart?

No, I don't, I never have. I've always finished one thing and gone off and started another. I've never really looked back. When I get offered something like Art to do again, it's wonderful to rediscover it, but I don't look back and think 'oh I loved doing that' or whatever – no, I don’t.

December 2019 will mark ten years since you first appeared in Coronation Street. From the outside looking in, I can think ‘oh that must have been a lot of pressure, going into something as loved as Corrie’, but did you ever actually think like that as an actor?

No, I just wanted to do it, and they're extremely lovely people up there. They accepted me very quickly and it was a lovely job to do. So I didn't feel any pressure at all actually.

I did a module at university which Coronation Street was a part of – it's that big it's spilled over into academia.

Yeah, I know, it is extraordinary. The fact that they've kept it alive and going for over 50 years is a real tribute to production values and the people who run it. It's done a pretty good job really. It's great, it is fun to do – the actors”¯enjoy”¯doing it.

Joanna Lumley has backed a campaign to increase the number of ladies’ loos in theatres.

She’s right about that, she's absolutely right. I don't know how they're going to do it but they just have to work it out because it's a problem for girls at the interval – there's no question about that.

Are you a campaigner?”¯

I'm campaigning against one particular thing which is idling cars; people sit in their cars, not going anywhere, with the engine running – it produces more carbon dioxide and bad air. I go round London banging on windows saying 'do you mind turning your engine off?' Most people say ‘ok, fine’, but some tell me to bugger off.

You appeared on I’m a Celebrity… Get Me Out Of Here! In 2010; the office won't forgive me if I don't ask you whether you watched the latest series…

I made sure I didn’t. It's like having some terrible war experience that you just don't want to be reminded of.

Art is at Oxford Playhouse 4-9 February

oxfordplayhouse.com

RECOMMENDED

Vitreous Bodies II nukteq
Sat 7 Dec 2019

Errol Francis is the Artistic Director and CEO of the London-based organisation Culture&, a charity promoting diversity in the workforce, specifically within the arts and heritage sectors.

TSM and TSD cdkmgp
Sat 7 Dec 2019

The Snowman and the Snowdog

Hilary Audus and Joanna Harrison

The Snowman was aired on Christmas eve in 1982 as a showcase programme for the new Channel Four, dancing light-footed on our screens with festive cheer. Thirty years later, his companion The

188185 qddetw
Sat 7 Dec 2019

The Nutcracker

It doesn't feel like Christmas without it

Birmingham Royal Ballet presents the ballet that’s become a staple of many a Christmas. The now annual revival of Sir Peter Wright’s acclaimed production of The Nutcracker returns

297248 The Boy in the Dress rehearsal photos  2019 2019 kd3cro
Sat 7 Dec 2019

David Walliams

on The Boy in the Dress

David Walliams’ heartwarming comedy is brought to the stage for the first time in a musical with all new songs from Robbie Williams and Guy Chambers, script by former RSC playwright in