What's on

Quilter Cheviot has announced the full line-up of speakers at The Quilter Cheviot Theatre during BBC Countryfile Live 2019 at Blenheim Palace, sponsored by parent company Quilter...

The world’s craziest city returns this year for its eleventh iteration. It’s a favourite of ours here at OX – one of the most immersive, richly realised experiences you could ever hope to enjoy, with a line-up longer and more diverse than ever...

The Union J star on making his musical theatre dream come true in Joseph and the Amazing Technicolor Dreamcoat...

Once a week former London lawyer Rach Cox visits the OX offices and leads us in a yoga session, however one afternoon last month the instructor allowed everyone the hour off and instead spoke to the editorial team about her route into yoga and the wellbeing and reggae festival she runs, Om & Bass...

When we catch up with her, Kelly Convey is deep in cardboard boxes due to moving house in a fortnight. She’s also planning her wedding, gearing up for the London Marathon, supporting both Alan Carr and Russell Kane on tour, and preparing for her Edinburgh Fringe debut Telephone Voice...

In July, André Rieu will be celebrating his first love, the waltz, with Shall We Dance? Returning again to host the show as it is broadcast from Maastricht to cinemas nationwide is the Good Morning Britain and Classic FM presenter, Charlotte Hawkins. We caught up with her to find out what to expect from the Dutch impresario and whether she’ll be tempted to put her dancing shoes back on... 

Following the critically-acclaimed 50th anniversary production of Hair – The Musical at Hope Mill Theatre and sell-out transfer to The Vaults, London, the celebrated production will now embark on a nationwide tour. And it will come to the New Theatre Oxford from June 26 – 29, 2019...

The Blewbury Players first produced The Crucible back in the 1979. It is a hard-hitting, partially fictionalised, tale of the Salem witch trials that took place in the Massachusetts Bay Colony in 1692/93. Arthur Miller, the playwright, used this story as a metaphor for the US government’s persecution of suspected communists during the mid-20th century...