House of Savin was founded by Designer and CEO Andrey Savin in 2013 and is now loved around the globe. With two bridal labels (Savin London and Savin Privé) in addition to a couture eveningwear collection, each of Andrey’s breath-taking creations reflects a combination of elegance, craftsmanship and exquisite design making House of Savin ‘the one to wear’ for modern brides seeking a unique take on luxury.
Each dress is skilfully constructed in Andrey’s London based Atelier, and each is a testament to the artistry and skill behind its creation. Dresses are individually hand cut and sewn from a variety of exceptional fabrics, many of which feature the hand-painting which has become r the designer’s signature motif. We were thrilled to be invited to the presentation of The Gilded Whisper, held at Kensington Palace earlier this year, and even more so when Andrey agreed to be interviewed for OX Weddings magazine.
How did you come to work in fashion?
I started working in fashion at a very young age while continuing my education, beginning my journey in Paris; the perfect place to immerse myself in the world of haute couture.
I was fortunate to work for some incredible fashion houses during those formative years, including Lanvin and Stuart Weitzman. Each experience was invaluable: working at Lanvin exposed me to the heritage and sophistication of French couture, while my time at Stuart Weitzman taught me about precision, luxury accessories, and the importance of impeccable craftsmanship in every detail.
These Parisian years shaped my understanding of what true luxury means: the meticulous attention to detail; the relationship between fabric and form; and the artistry that goes into every piece. But I was eager to continue exploring, so I made the move to London, where I could further develop my vision and understanding of fashion from a different perspective.
Where did you train, and what led you to bridal?
My background is slightly unusual in that my formal education was actually centred around economics and mathematics, but I was continuously working in fashion alongside my studies. I progressively moved through different areas of the industry, moving into design and ultimately working in production ateliers. This gave me a unique perspective – I understood both the creative and commercial sides intimately.
In 2013, I decided to take the leap and open my own atelier. The initial goal was always to create a space with true savoir-faire; somewhere we could create any garment we could dream of, with no limitations on craftsmanship or creativity.
Our journey into bridal began through working with individual clients. I discovered there was something special about creating wedding gowns: the emotional connection, the importance of the moment, the opportunity to create something truly bespoke and meaningful. Bridal allowed us to showcase our highest level of craftsmanship while creating pieces that would be treasured for a lifetime.
It evolved naturally from there - what started as an atelier capable of creating anything became House of Savin, specialising in the artistry and precision that luxury bridal demands.
Describe a typical House of Savin bride
The House of Savin bride is someone who truly appreciates craftsmanship and understands the value of bespoke luxury. She's educated, confident, and a thoroughly modern woman who knows exactly what she wants. She's also collaborative and trusting of our expertise. She's the type of woman who has travelled the world, has an eye for quality, and recognises the difference between mass-produced and truly bespoke.
What I love about our brides is that they're not difficult to work – they’re confident in their choices and have a clear vision but also open to the creative process. They understand that creating something truly bespoke is a partnership between their vision and our craft.
Can you explain how Savin Privé and Savin London differ
Both collections represent the pinnacle of House of Savin craftsmanship, but they speak to different aspects of the modern bride's personality and vision.
Savin London is a tribute to bold elegance and impeccable craftsmanship. This collection spans from voluminous ballgowns to sleek, modern silhouettes, with each embodying a distinct artistic vision. We use luxurious fabrics, intricate details, and eye-catching embellishments to create that unique sophistication our brides love. The hand-painted florals and rich textures give each piece a truly bespoke, couture feel.
Savin Privé takes a different approach, focusing on sculpted ballgowns and bold, striking silhouettes. It redefines modern luxury by offering gowns that merge timeless elegance with bold, contemporary design. This collection is made for the bride seeking sophistication with a modern edge - it seamlessly blends classic romance with cutting-edge fashion.
Essentially, both collections share our commitment to exceptional craftsmanship and bespoke details, but Savin London offers more versatility in silhouettes and artistic expression, while Savin Privé focuses on that sculptural, statement-making approach to luxury bridal couture.
Your use of colour is inspired. How do you select your palette?
Thank you, colour is truly one of my greatest passions in design. Every new landscape I encounter, every new experience I have, brings with it unexpected colour combinations. What I love about drawing inspiration from nature and travel is that it's never predictable.
This approach means my colour palette is forever evolving. Each collection reflects not just current trends, but the experiences and natural beauty that have moved me during its creation. Whether it's the hand-painted florals in my gowns or my choice of fabrics, every colour decision stems from these authentic moments of inspiration
Earlier this year you showed the Gilded Whisper collection at Kensington Palace. Where do you see the synergy between House of Savin and the royal residence?
Showing our collection at Kensington Palace's State Apartments was truly a dream realised. The choice of location wasn't just about prestige – though of course, the honour was immense – it was about finding a setting that truly embodied what House of Savin represents.
Kensington Palace has this incredible history of royal elegance and British craftsmanship that spans centuries. The state apartments themselves are works of art, with their attention to detail, their blend of tradition and refinement.
There's also something poetic about showing bridal couture in a place where so many significant moments in British history have unfolded. Our gowns are created for the most important day in our brides' lives, so showing them in a location where history itself has been made felt absolutely right.
We worked very closely with the Conservation department at Kensington Palace, who were absolutely essential partners throughout the entire process. They helped us understand every nuance of the space. Every decision had to balance our creative vision with the preservation of these priceless interiors. It was fascinating to learn about the history of each room and how we could work within those parameters.
The incredible events team at the Palace were equally instrumental in bringing this vision to life. They understood our goal of creating something that wasn't just a fashion show, but a true fusion of House of Savin's craftsmanship with the Palace's rich heritage.
Can you give us an idea of the process for the bride in choosing to wear a House of Savin gown?
When a bride comes to our Walton Street atelier, she's not just shopping for a dress - she's beginning a relationship with us. We take the time to understand who she is, what her wedding day means to her, and how she envisions herself feeling when she walks down the aisle.
I strongly believe in the importance of trying our gowns on – you have to see if they are truly yours. A wedding dress is very different to any other garment: it has to really represent the bride, her personality, her dreams and aspirations, and also her vision for her special day. You simply cannot determine that from photographs alone.
From that initial consultation, if she chooses to work with us, we begin the bespoke process. Every detail is considered and through multiple fittings we ensure that every element is exactly as it should be.
By the time she walks down the aisle, she's not just wearing a House of Savin gown – she’s wearing a piece that was created specifically for her, that tells her story, and that makes her feel like the most beautiful version of herself on the most important day of her life.
Who would be your dream to design for?
My dream isn't about designing for any specific person - it's much simpler and yet more profound than that. My dream is to have the opportunity to continue to design and to create.
The dream is in the process itself - in that moment when a sketch comes to life, when we're draping fabric and suddenly see something magical emerge, when a bride tries on her finished gown and becomes the most beautiful version of herself.
Finally, your own Instagram (@thegowndreamer) reveals a deep love of fashion. Who are your favourite designers?
I love fashion and I absolutely love and embrace designers and creatives with different visions of the world. The diversity of human perspective on this world is very enlightening.
From Vivienne Westwood to Valentino and Armani, through Rick Owens to Oscar de la Renta, Carolina Herrera, with the sensibilities of Lanvin or the drama of Dolce & Gabbana... I really do admire the powerhouses that have been created with consistent, yet forever changing visions.
What fascinates me most is how each of these designers has created their own distinct language: Westwood's rebellious punk romanticism; Valentino's ethereal femininity; Armani's understated sophistication; Rick Owens' dark architectural beauty. They've all found ways to express completely different worldviews through fabric and form.
I've learned something valuable from each of these masters: the importance of having a clear vision while remaining open to evolution. At House of Savin, we're creating our own vision, but it's informed by this incredible tapestry of creative voices that have shaped fashion history.
Main image (c) Catherine Bradley
