Skip to main content

No results found

Hanborough Gate banner
What's On, Culture, Theatre, Comedy

Another Review: Don Quixote

A thoroughly-deserved standing ovation

divider
Esther Lafferty
IMG 6501 2

Following Sam Bennett’s assessment of the latest Creation Theatre offering, here’s what Esther Lafferty thought.

Don Quixote is a 400-year-old classic novel written in Spanish about an aging traveller who, with a more down-to-earth squire, ponders in comical fashion questions of chivalry as he drifts into madness. Although you’ve probably heard the most popular anecdotes in which Don Quixote gallantly fights windmills believing them to be giants, and tries to woo a peasant he mistakenly believes to be a princess, you might not have read the book – a daunting 800 pages.

This month, however, Creation Theatre offer a wonderful shortcut as they present Miguel de Cervantes’ much-loved story as a surprising, inventive and funny double-act deep in Oxford’s Covered Market. It’s an inspired setting: the old internal roof structure and charmingly rickety woodwork give a perfectly humble every-day and yet old-fashioned feel to this contemporary re-run of the traditional tale. As the audience chatted before the show began, their voices echoed through the old structure adding an age-old expectant excitement that would befit any era.

In the here and now, two rather dishevelled friends Dom and Sam, each showing the loss of vision and fading memory that ageing brings in comical fashion, imagine themselves taking a leaf from the Spaniard’s book. Amongst piled bric-a-brac, they plan to travel through today’s Britain into distant Celtic mists – down the A40 to Fishguard. In place of a mule, Don Q and his squire Sancho have a caravan towed behind their trusty three-wheeled car which is lovingly named Ursula Andress. Our modern-day Don Q is a Bond fanatic with the entire collection of Ian Fleming novels, and he longs for a return to an age of knights, romance, honour and courage, seeing strong parallels between the behaviour and stories of the original Spanish traveller and 007 righting wrongs. The comparison is a masterstroke adding a whole new layer of relevance and humour for a 21st century audience.

The first half is lively, foolish and undeniably fun: it’s as if two rather mad elderly chaps have been returned to childhood and we watch them play, full of honesty and bizarre crazy ideas, bringing forth a myriad of laugh-aloud moments. The second half begins with laughter and humour before pathos bites: as in the original, Dom’s mind is confused and time against him. He’s Don Q. He’s Bond. And movingly, he’s half of a strong and caring friendship. The death of Don Quixote at the end of the novel is mirrored by Dom’s own demise, but this is Creation Theatre and there’s no chance that the audience would leave feeling flat. The final sequence of this production is absolute comic genius which had me crying with laughter. The entire audience were on their feet for a standing ovation: it was thoroughly-deserved.

Don Quixote is at Oxford’s Covered Market until 28 September.

Richard Budd Photography

RECOMMENDED

AMBERRUN OCTOBER DANIELALEXANDERHARRIS 000019550025 2retouch fe9jgv
Sat 5 Oct 2019

A Little Bit of Magic

Behind the Music of Amber Run

Joshua Keogh, Tom Sperring and Henry Wyeth are Amber Run, whose third album, Philophobia, was released on 27 September.

SIX2019JP 00559
Wed 20 Nov 2019

Review: Six

A bold and brilliant alternative unravelling

In Lucy Moss and Toby Marlow’s Olivier Award-nominated musical, an energetic cast of Henry VIII’s wives whip through their own summaries of these marriages in an hour and 20 (and

Full Band 1 luwscb
Mon 18 Nov 2019

Snow Patrol Turn 25

Airports, Adrenaline and Audiences United

You can’t describe Snow Patrol without superlatives and very large numbers. They’ve amassed 17 million global album sales, more than a billion streams, five UK platinum albums and

HARTNELL FAMOUS MODEL DOLORES MODELS IN THE SALON AT 26 BRUTON STREET MAYFAIR C 1948 3 bdiiga
Mon 18 Nov 2019

The man who designed for royalty, and more importantly brought back the long evening dress… Following his 2012 book about the fashion of Norman Hartnell, British design historian Michael